James Cameron’s Avatar, The Way of Water movie series distributes profits from the creative work to fund science and engineering expeditions into the deepest and darkest parts of the blue sea.
James Cameron is a filmmaker to most, yet to a smaller set of ocean researchers, he is a pioneer of deep sea exploration engineering.
What funds all of that engineering are movie tickets and licensing revenue royalty streams from the Avatar franchise.
All of this engineering and research is paid for by the audience who are funding R&D under the condition they get to watch a movie they love.
What if all movie studios or any type of creator studio was set up the same way? What if profits from creative works became a fund itself? What if the theme of the creative work is funding and building on top of what the theme itself expresses?
The Way of Water is our precedent; arts funding engineering.
Cameron is already demonstrating how “Bootstrapping Arts and Engineering” can work he just is not using web3 or decentralized structures to make it much easier for him to accomplish his purpose, but we are.
Big Mother’s Studio Novità is the creative side of a fully integrated decentralized community. We are currently piloting a new type of decentralized studio––and have already released our first production “Why not World Game?!” which is the world’s first “narrative fund”.
Soft as water, hard as ice, move like a stream
The way of water––becoming soft as water is to decentralize as a community of individuals, companies, institutions and non-profits all working towards a shared purpose and connecting via a digital wallet.
Becoming hard as ice is to become trusted within the community while also verified on the blockchain, supported with equity.
To move like a stream is the community funding and algorithmic narrative game of BAE, the distributive side of the win-win creative studio.
Studio Novità generates a community chemistry that creates art and engineering while launching those creations inside of a distribution game called BAE, Bootstrapping Arts and Engineering, using web3 technologies such as digital wallets, smart contracts, and the blockchain to distribute funding and build spontaneous participation.
Studio Novità – How it works
A community of artists design and create a theme which narrates the community purpose.
That creative theme is a form of narrative art and is next expressed through an algorithm, 9×3 narrative logic, which allows it to interact with a blockchain, and then becomes a way for the whole community to build and store “equity and treasure.”
A “studio novità” becomes a study of novelty, combining things which have never been combined before; a spontaneous production of community storytelling that builds equity, designs and deploys technology, broadcasts a purpose, and stores and grows that value as “community treasure”, Art.
Through this process Studio Novità, or Novelty Studio, generates a “Narrative Novelty” a story which can distribute and fund itself while building a community around the story.
We can demonstrate a unique community commercial design that is programmatic, computational, as well as viral and organic as can be applied to a supply and demand marketplace that is consuming a creative body of work that trades in wholesale and retail.
That means Studio Novità does not need to receive funding from a centralized distributor (like a big film company) nor do any of its projects need any funding from Wall Street.
The only thing Studio Novità needs is a community of artists, designers, and engineers and an
audience community that all share a purpose in common.
Studio Novità introduces a new relationship with the audience
Studio Novita and the audience are bound together into one self distributing, self funding, self marketing decentralized community bootstrapping arts and engineering into shared community wealth.
Inside of Studio Novità the audience is no longer the product nor a passive consumer–– but a dynamic partner that can form a $141M studio with an ecosystem of startup technology companies that can grow into $1B in equity value or more, starting with a budget of $0.
The audience is the most powerful of all marketplace forces, making centralized distributors no longer relevant.